Goodbye Doris

Have you ever seen Calamity Jane? Its the 1953 technicolor musical that follows the story of the wild west heroine with her sharp shootin', rootin' tootin' ways and her secret love for Wild Bill Hicock. 

BUT, basics aside, have you ever REALLY watched Calamity Jane, and by that I mean Doris Day's extraordinary performance? She bolts off the screen like a ray of golden light all energy and purpose. As Calam', Doris fully embodies every ounce of the loud, bragging, arm flailing heroine. She is a powerhouse of acting. It's amazing when you see her move, when you hear her sing!

Doris' honey smooth voice was both soothing and invigorating, it could be lilting and soft or ramped up to full force, but never anything but perfection. 

How bothersome then, that Doris' talents not just for musicals but comedies and dramas too have been overshadowed by her branding as the virginal all American goody two shoes, that has become a kitsch cliche at best and a false caricature at worst.

In reality she wasn't all apple pie. She was a women making her way in a male dominated industry. She was taken advantage of and betrayed by those closest to her (three marriages, one bankruptcy and an ageist Hollywood system) and pigeonholed into money making projects that kept her in a safe two dimensional bracket, that she somehow manged to rise above and shine.

My appreciation for Doris didn't truly begin until my 20's. Before that I'd always assumed she was too blandly wholesome. My god, how wrong I was! Watching Calamity Jane for the second time as an adult I realised I too had massively underrated her. I was grabbed by her vitality and her ability to go full force into a character while never veering into absurdity. She owned every scene she was in, her very physicality projecting her beyond the surface of the screen.

Spending time with her well known later films, those screwball 60's romance comedies she's so well known for, its wonderful to see how she embraces the campness and runs with it. These films cemented the whiter than white stereotype associated with Doris but she made what could have been flimsy character roles into memorable iconic performances that defined an era of golden Hollywood and popular culture to come.

Doris' will always be linked with Wake Me Up before You Go Go

Iconic work by artist Alejandro Mogollo (used with kind permission by the artist) 

Doris Day has been there my entire life, a legend hidden somewhere in California. It was enough to know she still existed; one of the Hollywood greats. I fully respected her decision to retire in the 1980's and focus on her charity work for the Doris Day Animal Foundation, yet when she released her album My Heart, at the age 89 it was exciting to hear her lovely voice once more and know she was still working her magic.

To know that Doris has gone is a great loss. I hope that people look back at her catalogue of work and feel as wowed as I have. I hope she is always remembered for the right reasons, for her undeniable talent and skill as a performer and the charity work that will continue in her name. I hope that right now Doris is having the best time, her glorious mega watt smile lighting up the heavens, because, after all, who can make 'the sun shine brighter than Doris Day'?

Paintings from the movies

I've just spent a wonderful Sunday watching Laura, the classic film noir starring Gene Tierney. The film is part of the matinee classics being shown on the big screen at the Cornerhouse, and it was great to see it as it would have first been viewed all those years ago at it's premier in 1944.

The story revolves around the murder of beautiful advertising executive Laura Hunt (Tierney) who soon becomes the infactuation of detective Mark Macpherson (Dana Andrews) as he falls in love with her stunning portrait and learns her story.

The portait in question is quite beautiful and has it's own interesting story to tell;

The first version of the picture was painted by the wife the of the original director, Mamoulian, but when Otto Preminger took over as the film's director he found the painting to his dislike. He wanted mystery and captivation, but instead thought the portrait was inflattering, flat and boring. 

To remedy this he sent Tierney off to studio photographer Frank Polony and had her picture taken. The best shot was enlarged to a portait size and the photo was then painted over with oils to give it the quality of an original painting. In this way Premigner felt he had captured the allure and power the painting needed to draw the audience in and be believable as the object of Macpherson's desire.

But what intrigues me perhaps more is what happend to this wonderful object after the film had wrapped? The IMDB website states that the painting can be seen in two other films; On the Riviera 1951, starring Danny Kaye and, Woman's World 1954 starring Clifton Webb who also starred in Laura.

But where is it now? Indeed the painting of Laura is not the only art from a movie which has made me ask this question; There have been numerous works of art created just for films that seem to have disappeared into the great abyss, some more classical than others but in my opinion just as wonderful, not only for their asthetics but also because of the history they hold.

 

My favourtite movie painting is that of Scarlett O Hara, as seen hanging in her and Rhett Butler's huge town house in Gone With the Wind. An imposing piece of portraiture I'd love to know who painted it and if Vivien Leigh actually sat for it. On further investigation, I've found out that it now hangs safely in the Margaret Mitchell House in Atlanta.

However another piece of movie history that probably HAS gone with the wind is the saloon painting of entertainer Katie Brown from the film Calamity Jane starring Doris Day and Howard Keel.

This (purposely) unfinished painting shows the newly discoverd showgirl Katie Brown after she made her debut, coming out of the shadows of stage star and former employee, Adelaide Adams.

Used simpley as a prop for Keel to sing to, this painting is still a super pin up girl of the era, with all the cute cheese cake allure of a Gil Elvgren. But where is it now?...

If you can think of any other paintings or art from the classic movies of yesteryear I'd love to know what they are and perhaps what happened to them, who knows, an historical movie gem could be sitting dusty in some attic right now just waiting to be discovered....