Monday, 6 March 2017

International Women's Day: the Helen Gurley Brown effect


It's International Women's Day this week (March 8th) and I thought I'd mark the occasion by commemorating a woman who changed modern culture. You may or may not have heard of Helen Gurley Brown, but her impact on Western women's attitudes to sex, careers and relationships is immeasurable. She helped create a change in women's lives for the better which led to lifestyles many of us can now take for granted.

To fully understand Brown's effect on modern culture you must first try to imagine how life was for women up to the early 1960's. This was a time before the feminist movement had taken hold and women in the UK had only gained the right to vote a few decades earlier. Life for many women was expected to follow a particular and limited course; marry in her early twenties (or late teens) and begin a family which she would then dedicate her entire existence to. Being a wife and mother were a woman's main duties. To somehow avert these fates was often seen as failure or a waste or to be pitied.

However by the early 1960's strict social attitudes towards gender were beginning to broaden. The Kinsey Report of Sexual Behavior in the Human Female from 1953 had already caused ripples of shock by just talking about women's sex lives beyond marriage, a thing never before done on a public scale. While the new phenomena that was Playboy Magazine, championed the idea that women enjoyed sex as much as men, again unheard of in a world that valued women's virginal (unmarried|) or maternal (married) state but never the idea of her actually having sex outside of these two polar ideals. Women who had sex for anything but procreation were still generally seen as fast, loose and social pariahs. To confuse the status quo even more, a new method of contraception was introduced with the coming of the 60's and 'the pill' offered a new sense of freedom for women wishing to avoid pregnancy.

When thinking of the figureheads of the feminist movement which naturally evolved alongside and aided by these cultural shifts, it's easy to think of influential women like Gloria Steinem or Betty Freidan whose journalistic and literary works stand out as seriously empowering women's voices. Yet another woman was making her mark in an altogether different way with no less impact. 

 

Helen Gurley Brown caused an international sensation when she released her book 'Sex and the Single Girl' in 1962. This highly accessible book was written in the style of one girlfriend talking to another. It did away with the cold sterile scientific language of earlier books on the subject of S.E.X and introduced the idea that women not only had sex outside of marriage but they enjoyed it and actively went in search of it. Brown, by then a married woman herself had done the unthinkable and published a book detailing her own (mis)adventures as a single woman spanning almost 20 years and over 100 lovers.
 
 The fallout from this was huge. Overnight Helen Gurley Brown became a household name for all the wrong reasons. She became 'that woman'. It's fun to witness Brown's guest slots on a myriad of TV and radio shows during the 60's (you can find many on youtube). Always introduced as 'the author of 'Sex and the Single Girl'' her shameful notoriety went before her and audiences were deliciously shocked by her unique opinions. On one of her many appearances on the chain smoking confrontational host Joe Pyne's show she was called a 'terrible woman' for writing about how to have affairs with married men. Yet despite the public's moral outrage Brown never became flustered during these PR outings and kept her feminine charming composure at all times. 


In fact the HGB brand was a big seller all round. Her debut book inspired a film of the same name starring Natalie Wood and spawned book sequels, 'Sex and the Office' and the 'Outrageous Opinions of Helen Gurley Brown'. It's important to note that in tandem to Brown's ideas about sex she talked about her career and in turn the notion of women like herself, working and succeeding in the work place. When 'Sex and the Single Girl' was published HGB was one of the USA's highest paid advert copywriters, and she'd worked her way up there from nothing. This was in an era when women's roles were still very marginalised for the majority, and women with a career beyond their families were virtually non existent.

It was while touting a new idea for a magazine aimed at the HGB audience that Hearst Publishing decided to give Brown the opportunity that led to her second life changing career move. Rather than risk a whole lot of money on a new publication that might not take off, in 1965 Hearst gave her the role of editor in chief for their then floundering magazine, Cosmopolitan. The rest as they say is history.


Brown took the safe women's journal that up to that time had spoken about how to be the best housewife with quaint little tips for cooking and home making and replaced it with the HGB vision. She wanted to talk to women who had lived like her, working hard to make their own way whilst making their own decisions regarding relationships. She made it normal for women to talk about sex and own their sexuality. Yes, these women still wanted to get married and still wanted children (it was still the 60's after all) but they had interests that also reached beyond these traditional values. Cosmopolitan now ran articles like 'Why can't a woman be like a man?' and 'Is there life after marriage?'. In 1966 one issue ran with the spookily prophetic 'Dating by computer. Actual experiences of four career girls'

Helen Gurley Brown revolutionised the women's magazine industry making Cosmopolitan the most successful of it's kind, so popular it branched out into Europe and countries like Russia that were way behind in the sexual cultural shift. There is no doubt Brown's input helped to open the eyes of millions of women around the globe encouraging them to see beyond the narrow options that were laid out for them.

Despite her reach and obvious impact Brown was never fully accepted by the feminist cause. She was (and debatably still is) snubbed and sometimes ridiculed by the feminists of the day for her too feminine and literally 'girly' outlook. Perhaps because as she was telling women they could be sexual and successful she was also telling them to be beautiful and liked.

The HGB brand can certainly be criticised for promoting unrealistic ideals of beauty by creating the 'Cosmopolitan Girl' who graced each cover with her huge hair and perky cleavage. Brown cashed in on the ideal of a girl who not only lives life to the full but looks like a model while doing it. The thing is, the ideal sold.


While we can see the symbiotic impact that women's magazines still hold today, on one hand telling women they are empowered and on the other insinuating they aren't pretty or thin enough (that is a whole other blog post!), it's impossible to not give Helen Gurley Brown her due in changing women's attitudes to sex and working life for the better. If she hadn't been the first to take the idea and run with it we might never have seen other women embrace their potential and break down similar barriers.

In popular culture we might never have had Alexis Colby throwing her weight around in Dynasty, or Carrie Bradshaw and her friends exploring Sex and the City or in turn the likes of Lena Dunham writing and starring in Girls. Each incarnation is a product of it's time and open to comment but each also is a powerful platform talking about sex and success to women, and that would never have happened without HGB's influence.


Cosmo gently let Brown 'retire' from the editor in chief post after 32 years at the helm. Instead she took the title of International Editor for all 59 international editions of the magazine whilst in her 70's. She died aged 90 in 2012 leaving a lasting legacy. If you buy an issue of Cosmo, to this day on the staff listings page, you will find the words 'Editor in chief, Cosmopolitan (1965-1997) Helen Gurley Brown.

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I purposely haven't mentioned anything about Brown's personal background, her difficult family situation, small town upbringing or the many jobs and love affairs she had while struggling to manage her life. She was obsessed with her weight (while being stacked like a rake), a huge fan of plastic surgery and a workaholic. She was a very eccentric woman, definitely flawed but fascinating and highly influential. To find out more I'd recommend the book Not Pretty Enough: The Unlikely Triumph of Helen Gurley Brown by Gerri Hirshey and also the many videos which can be found on youtube which cover her rise to celebrity in the 1960's through to her old age in the 2010's. She made many guest appearances on TV shows both trivial and intellectual but her message is consistently clear and delivered with a beguiling shake of the head and a smile, it's hard not to become seduced by her.

Saturday, 4 March 2017

The Vogue Ball


Later this month I'll be attending the Vogue Ball in Manchester where I am sure I'll die and go to heaven! 

The Vogue ball is a stunning happening of expression art and culture, it features dance troupes battling it out for glory any damn way they can, and if the videos of past balls are to be believed it will truly take my breath away! Drag, burlesque, dance, costume and high fashion, my pulse is racing just writing about it!

Manchester's own House of Ghetto will be performing this year. A troupe of black female dancers whose House Mother, the award winning dancer and choreographer, Darren Pritchard points out I need to see! We chatted for some time about the historic relevance of black female performers and concluded troupes like the House of Ghetto wouldn't be here if they didn't have the heritage of black female performers that went before them. That includes burlesquers, models and dancers, the black pin up girls from the past. 

Darren Pritchard in Vogue mode (see more @gemma_parker_artist) 

Today it could seem odd to think that black women were under represented in these fields when we have Beyonce and her contemporaries ruling the music industry, however as the pin up girl gained popularity through the decades, the black pin up took a back seat and became something of an underground phenomena. 

The black pin up is my starting point for art work I'll be collaborating on with Darren and The House of Ghetto and I am so excited to start learning more about this subject. There is a rich history of black pin ups that has gone unnoticed or even disregarded running parallel to the likes of the gorgeous Bettie Page and Marilyn Monroe. I'll be exploring the history of the black pin up in the run up to the Vogue Ball so keep your eyes open to learn with me!

In the meantime take a look at the amazingness that is the Vogue Ball last year. I am so excited to see this with my own eyes! ahhhhhh!


Tuesday, 21 February 2017

Alexis embroidery

 Alexis 2017

I finished my embroidery of Joan Collins AKA Alexia Carrington Colby last night! I'm not gonna lie, this piece took me aaaaaages! It turned out to be very detailed and I had many breaks in between days of hard stitching. However, I have to say I love it and I'm pleased with how the Dame turned out!

Here's how I made this piece from start to end...


Firstly I drew out Joan's beautiful face onto canvas and painted in the skin tone and hair. I also put in some colour around the eyes as the base of her fabulous purple smokey eye make up.



Then I began to stitch in the details...


After appliqueing on the red fabric for Joan's dress I soon realised I needed to give her a fresh background as I'd unwittingly tried out my paint colours far too close to her face on the original canvas (see photos above). To fix this I cut out around Joan and ironed her to new canvas using bondaweb.



Then I began stitching into the hair... oh god, the hair! it went on and on...



I felt that some of the drama of the face had been lost as I stitched, so I gave Joan a little touch up and defined and darkened her makeup. Got to make sure those cheek bones are sharp enough to cut!

 

And then she was done. Here's a closer look at the details of her face so you can see some of the different stitches I used for different textures like jewellery, skin and hair. This was a really satisfying piece to work on, although I have definitely learned a few things not to do for next time. I'll be starting a new iconic look in embroidery soon, I haven't quite decided who but in the mean time I'll be thinking of framing options for Alexis/Joan...something fabulous and decadent I think...

Friday, 20 January 2017

2016... wasn't that bad

Last year was pretty grim wasn't it? I mourned with everyone else at the losses of loved icons and ranted over worrying global events, but by December the 31st I felt like I'd had it with all the negativity, I didn't want to look back at 2016 and only think of the crappy stuff!. I'd had enough doom and gloom!

So I thought I'd begin 2017 by listing some of the things I never got around to blogging about but still held an important place creatively for me in 2016. Here's some of my highlights from last year (also you can see more about these and other projects on my Instagram @gemma_parker_artist)

Embroideries:

Embroidery no.2

I mentioned briefly last year that I had begun working on some drag inspired embroideries and this had branched out to making work based on a variety of iconic and transformative make up looks. I am stitching portraits of people who inspire me and have used make up as a powerful tool of expression and creativity in their lives and careers. My most recent piece is of Dame Joan Collins, a lady I greatly admire and who I was lucky enough to see last year in her 'Unscripted' show. I loved her as Alexis in Dynasty which is where she created her most enduring 'look', a bold smokey eye and colourful lip combo that will always be associated with the legend of Joan Collins.


I am really enjoying making these works, they are kitsch and decorative and involve all the things I love. I'm hoping to make enough for an exhibition and I plan on making a piece to mark Kylie Minogue's new album this year and her 30 years in the music industry. I'm not putting any pressure on myself with this work, other than trying to speed up, I'm just enjoying it and loving the process. It's also fun to see where the work takes me in terms of style and use of materials.

Interview with Rachel Maclean for HOME:


This was a real delight for me as, over the summer, I got to chat to multi media and award winning artist Rachel Maclean about one of my favourite subjects, dressing up and artifice. If you haven't seen Rachel's work you're in for a treat, a deceptively sweet treat that coats a darker and unpalatable centre!

Filled with overblown characters, all played by the artist, Rachel's work inhabits make-believe worlds that might seem colourful and camp, but mirror our own world all too closely. Using her ability to play both grotesque and cute, Rachel's work says a lot about gender, politics and society.


It was great to interview Rachel about her love of dressing up and explore the reasons and ideas behind it. As a fellow lover of artifice I found the whole experience really interesting, not to mention the writing and editing the interview involved. The finished article was published in HOME's autumn programme. You can read an online version HERE

Working with Forever Manchester:


Forever Manchester funds and supports community activity across Manchester and I was thrilled to attend their Summer Social event as artist in residence drawing the crowd and making postcard portraits of attendees. My camera on the day was rubbish and didn't pick up any details but at least here you can see a taster of the people who sat for me.

I love doing events like this where there is a real party atmosphere and people are curious to see their image drawn right in front of them. Once I start, I can sit there and sketch for hours not realising how much time has past. I hope we can work together again in the future as Forever Manchester and the work they do is an initiative I really admire!
Enchantment Under the Sea Disco and Mermaid:

Having a moment with my mermaid

When someone asks me if I will paint a life size mermaid cut out I say YES! That's what happened here, when HOME threw an Enchantment Under The Sea disco to mark their 80's film series in the run up to Christmas. In honour of their launch film Back To The Future, the arts centre held a huge party inspired by the movie's legendary 1950's dance, complete with sub marine decoration and THE actual Delorian parked outside! (I had a great time posing behind the steering wheel).

 Photo by Chris Payne

The event itself was a huge success and I'm happy to say that my mermaid with her 'I heart Marty' tattoo was also very popular on the night! This was a really fun project to do, from design to actual painting, I really enjoyed the challenge of working so big and painting one of my favourite creatures!
(incidentally my mermaid's look was inspired by the gorgeous Ann Blythe and her role in 1940's classic Mr Peabody and the Mermaid, check it out it's an enchanting little film).


Costume Modelling:


One of the things I like to do is modelling in costume for art events and drawing classes. Having a model who enjoys dressing up, and posing in character makes an unusual and interesting change from still life and nudes. It gives the participants a chance to draw or photo a complete persona and try to capture their energy. Last year I was lucky enough to work with Tameside's Creative Arts and Minds CIC to pose for a photography group who had never had a model before. It was a really rewarding experience to see their initial wariness and nerves give way to some truly creative picture taking! I also worked with Bury Art Collective on a drawing class, Maid in Bury, which was such a fun night. I'll be modelling in Bury again this year for Bury art Society and I look forward to seeing what art gets produced this time round!


This year....

I'll try to blog more often, I do miss it, but I never seemed to get around to doing it much. This year I'll blog more. I have a few ideas for other things I'd like to achieve including a new set of greeting cards designs and I really want to get my embroidery work in a magazine! I began a new project last year based on updating old work but I lost all my enthusiasm for it. I still don't know where this will go but I hope I can resurrect this project maybe tweaking it slightly, so lets see where this goes. I also want to work faster. I like to take my time to create the best work I can but this can limit my output. 2017 is already nearing the end of January! I am getting my skates on as I type!

Sunday, 30 October 2016

Return to Grey Gardens, Manchester


I'm a bit late in writing this, but I was recently lucky enough to see the fabulous Jinkx Monsoon and Peaches Christ perform in Return to Grey Gardens in Manchester!

The show was a drag tribute to the original cult documentary film Grey Gardens  shot by the Maysles brothers in 1975. 

Featuring mother and daughter, Big Edie and Little Edie Beale, the film follows the two women as they coexist in the crumbling remains of their once grand East Hampton home Grey Gardens surrounded by dozens of cats and raccoons and the debris of decades of neglect and lack of money. It's fascinating to watch and there's something both touching and inspiring in the way Little Edie fashions new outfits out of a jumble of ragtag items topped with her remaining Tiffany brooch.



The film is full of classic one liners as both women argue and make up, sing and dance their way through each monotonous day. The stage show reenacted whole sections of beloved dialogue from the film perfectly and I loved how Jinkx, with the perfect upper crust Manhattan drawl, put her own spin on Little Edie as the beleaguered daughter Little Jinkxy, with dreams of stardom forced to stay with her manipulative Drag Mother Big Peachy.


Return to Grey Gardens was the perfect homage to the film, never poking fun at the two women who inspired it, always tongue in cheek but at times poignant too. Little Jinkxy belting out I Dreamed a Dream to her rooftop raccoon audience was stunning, funny and when you think about it, right on the money, as Little Edie was a performer at heart who never got to fulfill her calling.


Peaches Christ looked amazing and was great as the pushy matriarch who cooks a mean corn and takes a little too much delight in the handy man Jerry (played with panache by Team GB athlete Matt Lister!) and I loved how the show made good use of local talent to fill the roles of birthday party guests, cats and the Beale's famous cousin Jackie O! All the performances were brilliant and it looked like everyone was having the best fun ever. Special mention goes to Manchester creative Bren O Callaghan who not only produced the show but starred in it as the camera toting David Maysles.

I'd been excited to see the show for months and in the run up I drew Jinkx as Little Jinkxy, which I'm pleased to say she loved and she also re-posted on her Instagram.


I'd have loved to have made the after show party STAUNCH which happened at Islington Mill but it wasn't to be, fortunately I was able to live vicariously through this backstage video filmed at the Mill before the girls went on stage and Peaches has some interesting things to say about the show and why the film appeals to the drag/gay scene so much.


Top marks to everyone involved, we certainly had loads of fun and loved dressing up to be in the audience, I'll never listen to 'Stay' by Rihanna in the same way again, it was so so good.

Wednesday, 14 September 2016

Joan Collins Unscripted

  

I went to see the wonderful Dame Joan Collins in her one woman (and one man) show at The Lowry this week. I can happily say I have now seen two of my holy trinity of legendary female icons, that being, Dolly Parton, Joan Collins and Joanna Lumley (only Lumley to go).

Joan Collins has fascinated me for years; as a little girl I was caught off guard by her bitchy sexy character Alexis in Dynasty. If she came on TV I'd find myself drawn to the screen to just look at her. The combination of glossy lipstick, huge earrings and high hair mixed with that cut glass English accent certainly left an imprint in my mind. 


As I got older it was Joan's approach to life that next caught my attention. I admire the way she looks no matter what the occasion. Joan Collins is glamour! Not once do we ever see JC slumming it in joggers and a slouchy top, never without her hair done, and NEVER without her makeup. One interviewer once made the faux pas of asking if she ever forgoes the glamour at the weekend and Joan practically winced, 'NO. I wouldn't want that for myself or for anyone else'. Her standards are high just like her self esteem.

 
The live show began with Joan clad in a black lacy trouser suit sitting alongside her husband Percy in a simple set that put me in mind of Claridges. Percy MC'd while Joan answered the never halting flow of questions from the audience, 'What was Hollywood like in the 50's?' (Exciting, she went to lots of showbiz parties and her first film there was opposite the legendary Bette Davis), Did you ever meet Marilyn Monroe? (Yes, and it was while chatting that Marilyn gave her the advice to watch out for the Hollywood studio bosses who could drop her at the click of a finger if she didn't make them happy. Joan managed to dodge the casting couch), What was it like working on Dynasty? (Wonderful but hard work, she had to keep her weight below eight and a half stone to fit into the costumes as the camera adds ten pounds). 


By the second half Joan had changed into a champagne gold sequin gown and looked every inch the star she is. The evening was full of delicious tidbits about Joan's lifestyle, friends and packed career interspersed with wonderful film clips and photos. When an audience member asked if there was any rivalry between Joan and her late sister Jackie while growing up, it was asked with such reverence you could feel the theatre give a little collective nod of respect to the author. Joan answered that of course they were competitive but ultimately they were crazy about each other and she misses her sister everyday. 


 I loved hearing about my favourite period of Hollwood history from someone who had lived through it. Paul Newman, Gene Kelly, Joan Crawford... there were so many names dropped I couldn't keep up! Then of course when Joan chatted about her beauty regime, make up and style rules I was all ears. There was even a little window into Joan and Percy's wedding night that involved gaffer tape and a lot of yelling. I wont go into details in case you see the show yourself but it was highly entertaining. The whole evening was a relaxed and fun insight into the life of a much loved living legend and was a wonderful treat I'll never forget!

Wednesday, 31 August 2016

Drag face!

 

I've been really LOVING make up tutorials on the web for some time now. If there's buffing lining or blending going on, I'm all over it! Drag tutorials are no exception and it was with glee that I first clicked on Lucy Garland a make up whizz who just adores all things Qween!

I've been wanting to create some art work that includes my love of cosmetics for some time but couldn't figure out how to do this without the work becoming a bit one dimensional. That changed after I watched a few drag tutorials. I decided to put thread to canvas and get stitching!

This was a really enjoyable process; I decided to combine painting, applique and embroidery to make something that had multi layers and a real pop! I'm so happy with the outcome. Here's how it evolved:








I've starting my second drag embroidery already, I like to work on them during my down time or in between other projects. They are so fun to do and very satisfying and calming. All the while I'm stitching I'm immersed in glamour and make up, I love it!