The 1950's dressing room display at Stoke Potteries Museum and Art Gallery will be up for a further week with the deadline extended to this coming Sunday 18th Sept. So there's still time to see the goreous original vintage pieces used in my collaborative project with the museum which inspired my online serial Mrs Brown's Diary! If you like historic treasures, vintage glam, and a good story to boot this is for you!
Showing posts with label Stoke pottery museum and art gallery. Show all posts
Showing posts with label Stoke pottery museum and art gallery. Show all posts
Wednesday, 14 September 2011
Thursday, 8 September 2011
MM Personal
As my online serial 'Mrs Brown's Diary' draws closer to it's final post this coming Sunday, it seems fitting that I have just finshed reading the book which inspired my project in the first place.
I first became aware of the existance of the book, 'MM Personal' when I read an article in Vanity Fair called 'The Things She Left behind'. The article covered the hidden cache of treasures left behind by Marilyn Monroe which had previously been unseen.
I found flicking throught the beautiful photos of everyday items like reciepts, perfume bottles and jewellery fascinating and I began to formulate the idea of basing an art work around belongings that told a story. I started by looking into female ephemera; the hub or altar of artifice, the dressing table. Readers sent in photos of their own dressing tables for me to display in the 'Dressing Table Gallery' and from there I went on to try and decypher the meanings and stories each photo hinted towards.
The gallery was excellent research for my collaborative project with Stoke Potteries Museum and Art Gallery where I was invited to give my response to the Decorative Arts collection housed in the museum. I knew straight away I wanted to create a 'room' with objects which told a story. What better room for gorgeous belongings and hidden meanings than a dressing room? The subsequent display has been on show at the museum since March and also finishes this coming Sunday, 11th September.
The objects took the lead in telling the story which is now transcribed in 'Mrs Brown's Diary', Mrs Brown being the fictitious owner of the dressing room, revealing it's secrets through her private musings.
I found MM Personal a wonderful insight into Marilyn's life, but also from an artists point of view found it creates an illustration of Marilyn without Marilyn, she is obviously absent but strangely present. Her choices, likes, dislikes and actions are in every document and item.
It is my hope that the dressing room at Stoke's museum has a simlar atmosphere, and that Mrs Brown's Diary completes an evocative picture of an individual and a time inspired by objects.
Image by Mark Anderson www.markandersonphoto.com
Marilyn has once again been an inspirartion, this time not just because of her sex appeal or her acting work, but literally because of the things she left behind. Her half used Chanel No5 photographed so lovingly shows how the idea of a person could be transferred so eloquently onto objects. How a story can be contructed through clues left within belongings.
Monday, 29 August 2011
The value of your words
Having feedback about your work is always helpful, and can be very positive. But to inspire creativity through your own efforts is a wonderful feeling!
I was absolutley thrilled when Joanna Webster was inspired by my online serial, Mrs Brown's Diary, to put pen to paper. Joanna is a poet, song writer and singer whose work has been published in countless poetry journals. I really enjoy her approachable thought provoking poetry which covers her many interests from Beatles mania to Easter egg excitment! I am particularly impressed with this work which I feel captures a whole new angle on the Mrs Brown story. For this new poem Joanna explains her reaction to Mrs Brown:
'This is my interpretation of her as if she were a real person and as if I really had discovered her diary in present day.
So I've not gone into specifics, just what I think and feel as I'm reading.
And it's quite a different style of writing to what I normally do'
So I've not gone into specifics, just what I think and feel as I'm reading.
And it's quite a different style of writing to what I normally do'
Mrs Brown’s diary
By Joanna Webster
By Joanna Webster
Mrs Brown, if only you knew
As you sat at the mirror, some years ago, thinking
Pen in hand and sending questions out into the cosmic void
Viewing your dreams as art on someone else’s wall
And wondering whether to worry that the life you lead is small
If only you knew the value of your words
If only you knew the value of your words
And how all the nothings that mean more than so many something’s
Will become the gossip point as I talk on corners with friends
Like the starry eyed keeping up with Hollywood trends
If only you knew that I’d get beautifully lost
If only you knew that I’d get beautifully lost
in finding you in the here and now
And if everlasting could be somehow
Then you’ve pioneered and as I blow away the dust
Your heart, in my hands, still beats
©2011
You can read more of Mrs Brown's Diary now! The story is currently up to Installment 19 . I am updating her blog www.mrs-browns-diary.blogspot.com every other day to coincide with the end of the dressing room display which is on show at Stoke Potteries Museum and Art Gallery until the 11th Sept.
Monday, 15 August 2011
Heads Up!
Just a little heads up that Mrs Brown's Diary is going to be updated several times a week between now and September 11th (all assuming I have no more technical difficulites). The diary is based on the collaborative art project I did with Stoke Potteries Museum and Art Gallery resulting in the 1950's dressing room on display until this date. Installment 14 is now online, and I'll continue to update through the week as her personal story progresses.
-
Also, don't forget it's Dr Sketchy's this Friday at Manchester's MadLab! I'll be performing as part of my burlesque act The Chantilly Belles in this special life drawing class come burlesque night. Tickets are to be booked in advance. Find out more in the post below or by visiting Dr Sketchy's Manchester branch website.
Have a fun week and keep reading!
Wednesday, 10 August 2011
Back at last!
I've been experiencing some technical problems of late, hence not updating my blogs for a while. So Here's the latest news:
Photo by Candee Photography
The Chantilly Belles to perform at Dr Sketchy, Manchester
Friday 19th August Dr Sketchy presents 'Oh Foxy Lady'. We will be performing our routine 'Never Outfox the Fox' and also posing for some fab drawing sessions with games, music and prizes thrown into the mix. If you enjoy drawing and burlesque and want to attend a life drawing class with a difference come along and join the fun.
Dr Sketchy takes place at MadLab
36-40 Edge Street, Manchester, M4 1HN in the Norther Quarter (just opposite Common)
Tickets need to be booked in advance
-
Mrs Brown's Diary
The installments 12 and 13 are now online!
This story is inspired by the 1950's dressing room which is on display at Stoke Potteries Museum and Art Gallery until 11 September. The dressing room display is the outcome of my collaboration with the museum's decorative arts department and belongs to the fictional character Mrs Brown, a young housewife from 1951 living in the town of Hanley. Taking cues from the fashions of the time, social dynamics and historic events from Stoke, her story is currently being told hrough her diary.
This week Mrs Brown finds herself the subject of a cooking drama, and finds escape from her small existance through the magazines of the time. What ideas will they put into her head?...
Read the original article that inspires Mrs Brown below. It is a wonderful snapshot into a world where careers for women were still new, and young people took a pride in their jobs and acheivements. It's also quite funny to read how the experience of clothes shopping has changed since the 1950's along with our attitudes to fashion for the larger lady. Enjoy:
'Oh no, I like the customers, especially the big ones.'
Read the original article that inspires Mrs Brown below. It is a wonderful snapshot into a world where careers for women were still new, and young people took a pride in their jobs and acheivements. It's also quite funny to read how the experience of clothes shopping has changed since the 1950's along with our attitudes to fashion for the larger lady. Enjoy:
Godfrey Winns portriat of a modern shopgirl.
She's proud of her job
She's proud of her job
Picture Post circa 1947-51
I have two new neighbours in my street. I went to supper with them last night, and took a bottle of light white wine with me to christen their new abode. I hope they will be very happy there.
Their flat is at the corner, opposite the Westminster Bank, but they are their own bank, counting out the rent, they told me, as soon as they are paid each Thursday and sharing all their household bills exactly.
The ground floor of their new home is the shop window of the women's tailors, full of lengths of cloth. But Pam and Tilly are used to shop windows, of rather a larger kind, since they both work in the suit department of one of the finest stores in the West End, Peter Robinson's at Oxford Circus.
They think they are very lucky in their bachelor flat, with its all electric kitchen, because they had been home-hunting for a long time, in fact ever since they made friends.
'It's bliss,' exclaimed Pam, as she led me up the two flights of stairs. 'We don't mind what sort of day we've had at the store, we've got this to come back to. Tilly is a wizard cook, though of course we take it in turns,' she added as we reached the sitting-room.
A moment later, Tilly, or Miss Daphne Till, to give her full name, dashed in from the kitchen to say she was about to dish up, and she did hope I liked fish. I should have been mush too tactful to say that I didn't these days, whatever my tastes, but as it happens I do, very much - especially when it is cooked so well. It almost made me want to turn vegetarian like my other hostess, Miss Pamela Guard, known as Pam to all her friends, though she answers to the cry of 'Blondie', from any of her dozen departmental companians.
'They call me anything, but I don't mind' exclaimed this twenty-year old career girl, who has already crowded a great deal of experience into her pursuit of independance.
As a small girl in the war, she was evactuated to Devonshire, where she had a heavenly childhood, living in a village, messing about with boats, never going near a town of any sort. Her passion, then and now, is dogs, and at the moment she has two, both boarded out with friends, a boxer and a golden spaniel, but she is hoping one day to be able to make a home for them, too, just as she is hoping to prosper in her career.
'I am determined to make something of my life, on my own' Pam keeps on repeating, like a battle cry. I don't think she has done so badly already. In fact I admire very much her passionate ambition to become as expert a saleswoman as her mother, who is in the same store.
Probably the best ambassadors of all for our country during this Festival Summer will be the countless unknown girls who will serve foreigners from abroad with all sorts of goods marked 'Made in Britain'.
Moreover, there are big prospects and good openings for keen, intelligent girls in our retail stores, as Miss Ryder would tell you.
I must explain that Miss Ryder, who is one of the most charming women I have met in a long time, is in charge of personnel at Peter Robinson's. And she amused me very much describing what so often happens when a girl, about to leave school, comes for an interview with her mother. 'Somethimes the mother talks so much I have to lean forward and interrupt gently, "Am I wrong, it is your daughter isn't it, who wants to come to us?"'
Actually, my portrait subject this week entirely made up her own mind after trying something else out first.
Pam Guard spent two years serving her apprenticeship in a West End hairdresser's. But at the back of her mind was a longing to get out among the customers and use her own initiative.
Her mother warned her that it would mean clocking in before nine each morning, a working day till half past five with only an hour's break for lunch, and Saturday morning often the busiest time of the whole week.
But Pam was undaunted. And is still undaunted even now when she confesses that she keeps two pairs of shoes at the store, and changes after lunch, to give her feet a better chance. 'And I do wear them out quickly' she exclaims. 'All the same, Tilly and I do think it's worth it, if only because two days are never exactly alike. You never get that feeling of being stuck.'
'And what about the customer?' I asked, 'you are not disillusioned yet?'
'You men the ones who spend a lot?'
'No, I mean the ones who take big sizes. They are always so grateful when you can fix them up with something that really fits them and makes them look slimmer, too.'
'Can you always tell at once if a customer is really serious?'
The two career girls looked at eachother and nodded in unison. 'The ones I always dread,' Tilly confessed, 'are those who have brought a woman friend along with them for a second opinion. Somehow you always feel from the start that it's not going to be possible to please them both at the same momnet.'
'The only one who can cope with them' Pam broke in, ' is Miss Solomon. She always says that if you can once get the jacket of a suit on a customers back, then the battle is almost over.'
I had already met Miss Solomon when I visited Pam's department for it was whispered in my ear that sometimes she earms, with commission, as much as fourteen pounds a week. And the buyers oftem have salaries of thousands a year, yet thay all started exaclty the same way as Pam and Tilly have done.
When I asked Miss Wilson, Pam's immediate boss, who is happily married in private life, and therefore has two successful careers, what the secret was, she said, 'There is no secret. It's personality plus concentration, plus a real liking for people. I don't look upon this as work,' she added, 'it's too exciting for that.'
And I think Pam feels the same, yes, even when she is dashing down our street to catch a Number 25B bus at Victoria every morning at twenty past eight. But in her heart she has pride in the knowledge that she belongs now to that army of her countrywomen, who in peace and war, do so much to keep up our credit in the eyes of the rest of the world that will be especially turned toward us this Summer.
Good luck, pam and Tilly. It's nice having you as neighbours...
Wednesday, 6 July 2011
New posts in Mrs Brown's Diary
Installments 7-10 are now available to read on Mrs Brown's Diary.
Here is an opportunity to learn something Mrs Brown's past love life. She might be leading the average life of a 1950's housewife, but is she really that that hard done by and just what is going on in her head?
This is the perfect way to find out about some of the items displayed in her dressing room at Stoke Potteries Museum and Art Gallery and see how they fit into her life, what they mean to her and how she got to be in possession of them.
Tuesday, 31 May 2011
Bits and Pieces
A couple of things to tell you this week!
Firstly, there is now a new mailing list feature on my website which allows you to subscribe to my new newsletter to find out all the latest about exhibitions, art events and more!
Just go to my website and click on 'Mailing List' then click on the link to bring up the subscription form like the one you can see above. My first newsletter covers my year so far and includes upcoming events, so you can be bang upto date! (updates to be posted on this blog soon!)
Other news:
The sixth installment of Mrs Brown's Diary is now online! A blast from the past has caused Mrs Brown's world to turn upside down, however momentary could this encounter have lasting repercussuions? Find out by reading Mrs Brown's Diary, the accompanying story behind and inspired by the vintage dressing room currently on display at Stoke Potteries Museum and Art Gallery!
Monday, 16 May 2011
Mrs Brown's Diary, the shoot
One of my favourite things ever is making up stories, packaging little moments in time and filling them with characters, happenings and elements of playfulness. I think that's one of things I try to get across in my paintings. They are each snapshots of worlds that maybe existed for real, or maybe just in my head, or maybe a bit of both. When I took Layla to Stoke to model for me as Mrs Brown, the moment she stepped into the dressing room set, a story was taking place before my eyes.
For me it was a lovely moment to behold, like seeing the sun rise at just the right angle through the pillars of Stone Henge or finally getting the shot of a bird you'd been waiting hours to catch a glimpse of. When Layla, in full 1950's regalia, sat in front of the dressing table in the set I had spent months putting together with the Potteries Museum and Art Gallery, I felt very, what's the word?... satisfied. Not to mention excited. Here at last was Mrs Brown in her dressing room, interacting with her belongings, acting out her story, making it just that little bit more real!
The whole point of the shoot which took place last Monday, was to continue the theme of telling stories through belongings and objects. Mrs Brown's story has been entirely inspired by the objects I selected from the decorative arts collection during my collaborative project with the museum. Each object has been displayed as part of Mrs Brown's dressing room as an illustration of her life, a snapshot, a moment in time packaged and ready for consumption.
I wanted to photograph the objects with the woman who supposedly owns them to give them even more meaning, and even though my model was very important, it was still the objects themselves which dictated the shots and led the images to tell the story.
It was a small space and very dark in order to preserve the items displayed, so it took some getting used to before both I and Layla managed to ease into the shoot, but I was really happy with the images we got. By keeping Mrs Brown's identity quite anonymous her belongings take over in letting the viewer decide what's happening. The photos will be displayed over the coming months on; www.mrs-browns-diary.blogspot.com and I'll continue announcing when each new installment is posted, head over there now for installments 3, 4 and 5!
Make over heaven
I couldn't help feeling pleased as I watched Mrs Brown walk through the museum in her elegant purple floral dress. Teetering on T bar heels, her powdered face broke into a smile as she took in the exhibits, showcasing her red lips and fluttering lashes. It was like meeting a pen friend I'd never seen before but finding she fit my imaginary picture of her perfectly.
It was Monday and I was in Stoke to photograph the dressing room set from my collaborative project with the Potteries Museum and Art Gallery, but on this visit I had brought my friend Layla with me to model as the mysterious Mrs Brown, the flighty bored young housewife of 1951, a woman whose pursuit of happiness could land her in hot water.
The previous day I had met with Layla to set her hair into pin curls, a very popular style from the forties which had continued to evolve into the fifties creating a new generation of waves and curls seen on the likes of Grace Kelly and Elizabeth Taylor. After watching a wonderful video tutorial by Vividmakeup found on youtube (see last post) I had also found evidence in a contemporary article detailing the techniques of how to set your hair fashionably. What struck me most was the effort that went into the preparation for a style that was worn by most women whether they were film stars or just going to the shops and doing the housework. This was serious high standard hair.
Here's how I set Layla's hair:
Firstly I dampend it with water and added a little setting lotion. After combing it through I took a one inch section and coiled it away from the face around two of my fingers, making sure not to twist it. When I had coiled as far as I could get, I pinched the coil off and secured it flat to Layla's head using FLAT hair pins to create a cross.
Here's how it looked as I was working my way around the head. I left the front section loose as this required a different type of curl. Once I had worked my way all around the hair it looked like this;
The crown was left flat so the curls would sit in an authentic style of the early 50's and the front fringe section was curled under and secured in an elevated curl, not flat to the head but sitting proud of the face. The curls were left to set over night with a scarf tied around them for protection. When we got to the museum the next day they were still in place if not a little fuzzy;
We used a dressing room which Princess Anne had used when she came to visit the museum a few years ago. It was in this room I finished the hair styling and applied Laylas' make up. I went of a classic 1950's look, very matte and powdered; soft brown eye shadow all over the lid with a darker brown in the socket.
I lined the upper lid with black liquid liner and added some flirty tipped lashes for a glamorous effect and drew the eyebrows in with a pointed arch. The whole thing was of course finished off with obligatory red lipstick! I went for a pointed look lining the lips first to get the peaks as defined as possible.
Next it was time to finish styling the hair. I unpinned all the curls and brushed them through with my fingers to seperate and loosen them. As you can see from the photo, the pin curls really did their job creating large sausage curls positioned perfectly around the crown.
To create fifties waves I took a barrel brush and began to brush the curls under. Unlike normal curls which should never be messed with, pin curls are designed to be manipulated. They are also very resilient and snapped into place as I brushed them. I used my palms to sculpt the hair as I brushed it under and round, I then pinned the hair back behind the ears for a very feminine style. Lastly I brushed the fringe, whisking it up and back to create a 50's flick that blended in with the rolls of sculpted hair around the sides of the face. At last Mrs Brown was ready for her photo shoot.
The makeover was lots of fun and it was important to get it right as creating an authentic look was just as important as the shoot itself. As Layla stepped into the dressing room set I felt really pleased because she looked like she belonged there. Layla enjoyed working amongst all the vintage items, being a bit of kleptomaniac of vintage items herself, and it was so satisfying to have the right person for the job who understood the brief and looked so perfect for the story. Find out how the shoot went in my next post!...
Wednesday, 4 May 2011
Dressing Mrs Brown
I am all a fluster getting plans readied and ideas organised as I am doing a 1951 makeover on a friend of mine who has kindly agreed to model as Mrs Brown for me next Monday!
We are travelling to Stoke to photograph 'Mrs Brown' interacting with the many objects within her dressing room in order to give them new and deeper meaning. My good friend Layla who has modelled for me before as the kitzch receptionist 'Miss How Can I Help You', was the perfect choice as she fits the physical requirements I had in my head of Mrs Brown's size and colouring. Plus as an artist herself she can understand what I am attempting to get from the shoot.
Miss How Can I Help You, acrylic on canvas 2006
The story being unravelled in Mrs Brown's Diary is all based around the many objects found in Stoke's Potteries Museum and Art Gallery's decorative arts collection which were then built into a 1950's dressing room. It was always my aim to tell a story though belongings and with the photographs I hope to emphasise this further by bringing Mrs Brown into the picture but keeping the objects as the main focus. She will almost be an accessory as the objects take the lead and represent different moments of importnace to her
I'm really excited about the makeover as all things cosmetic and hair give me a buzz! I've found an amazing tutuorial for early 50's pin curls, here's the second part showing how to style your curls into a perfect housewife do:
This girl really knows her stuff and after watching the whole tutorial I feel I learnt a lot. To my absolute joy I found the exact same method for pin curls being detailed in a Vogue article from the late forties (Thanks Layla for bringing in your brilliant Vogue book!).
After discussing Mrs Brown's personality and the era with Layla she managed to pull together an outfit that even though not original period clothes, will still look fantastic for the shoot as you can see above. We were looking for something fashion forward for the early 50's. Something with a hint of the full skirt Dior New Look, but also functional enough for a middle class housewife with pretentions to grandeur. With glamourous cosmetics and period hair this outfit will be perfect for the young and flighty Mrs Brown. I will document the entire process, find out how the makeover and shoot go next week!
Monday, 11 April 2011
Online now!
The second installment of Mrs Brown's Diary is now online! The diary tells the story of Mrs Brown a young vivacious housewife from 1951. It is inspired by the objects I found in the decorative arts collection at Stoke Potteries Museum and Art Gallery which are now on display as part of Mrs Brown's dressing room. You can see the display and read the hidden story behind it now! The project runs until the 18th September.
I was recently interviewed for the online arts magazine Design Splat, you can read my interview to find out about me and my practice HERE.
Friday, 25 March 2011
It's all going on!
The first installment of Mrs Brown's Diary is now online! This unfolding story reveals the significance of the items that make up the 1950's dressing room which has been created through my collabortive project with Stoke Pottieres Musuem and Art Galley. The diary is your chance to find out who this character is; the first post covers her visit to the Grand Re-opening of the Theatre Royal in Hanley and introduces her relationship with George her husband, but just why is he so upset?
-
Last Saturday was the official first day of dressing room display and to mark the occassion a local burlesque performer called Lottie Applejack dressed in period costumes did a piece in the dressing room based around transformation which ties in well with my theme of artifice and the project's title, Making faces.
Photo by Craig Berry
My project has also inspired other creative outlets! Members of City Voices writers group based in Hanley were invited by the museum to produce their own responses to the items from the Making Faces display and also other museum pieces from the same period picked out by myself. The result was a very ecelctic mixture of poetry and short stories. Here's two of my favourites which have really captured the essence of the objects and the era :
Rationed Reflections
Getting ready for a night of theatre,
A film, a dance, a romance.
Take night off from the week
For the war is still fresh in memory
In all young and old
And rationing still carried
But you do your best.
Improvement and alter the gown dress,
With ideas of the society magazines.
Pictures and varied types and varied tips,
From halls of Paris’s fashion houses,
To stars of West End and Hollywood.
A break from that time before,
And now a modern twist,
With compacts of small design,
Fit neatly into the purse,
Nylons from across the Atlantic,
Hard to find at this time.
Picture of the returning sweetheart,
Returned from the continent,
From aiding in Europe.
Soon the alarm will chime,
And it will be theatre time.
Martin Wilkes
A Rare Night Out
She sat before the mirror
Everything was to hand.
Powder puff and perfume
They made her feel so grand.
Her husband had bought tickets
For the Theatre Royal show.
Just a dab of lipstick,
Now she was ready to go.
“The taxi’s here, my darling”
Her husband called to say.
She hurried down to join him
Then they were on their way.
She wore the pearls he’d bought her.
Snd her high heels too.
She felt like a lady
Attending a posh ‘do’.
They didn’t have much money
So treats like these were rare
But oh, how good they made her feel –
Like dancing on air.
P.A. Sinclair © 2011
Friday, 18 March 2011
Set up day!
Yesterday was set up day at the Potteries Museum and Art Gallery in Stoke! After months of preparation and research, the collaborative project between myself and the museum has been put on display!
The final display has turned out to be extremely beautiful, thanks to the variety of original vintage pieces found in the museum's archives. It felt really satifying to see them all together for the first time and place them in the display, knowing that not only do they all have part to play in constucting my projects character they are also going to be viewed by the public after spending years in storage.
Each item had to be handled carefully (hence the fetching purple latex gloves). It took a bit of trial and error before everything looked right, but I had a rough idea where I wanted everything to be, plus not everything that had been chosen got used in the end. The space could only hold so many items and also I didn't want to clutter the display and compromise the hidden story with too many objects.
Some items had been specially selected to be displayed seperately to focus on specific themes. This plinth for instance holds the original programme from the Grand Re-opening of the Theatre Royal from 1951. Around it are items from the character Mrs Brown's outfit. The display sets the scene for the rest of the dressing room and helps to illustrate what a posh event the re-opening was to the people of Stoke. I especially enjoyed putting these items together as the final outcome looks so good! (There will be a pair of opera glasses attached to this plinth so that you can zoom in on some of the smaller pieces on top of the dressing table!)
Each item had to be handled carefully (hence the fetching purple latex gloves). It took a bit of trial and error before everything looked right, but I had a rough idea where I wanted everything to be, plus not everything that had been chosen got used in the end. The space could only hold so many items and also I didn't want to clutter the display and compromise the hidden story with too many objects.
Some items had been specially selected to be displayed seperately to focus on specific themes. This plinth for instance holds the original programme from the Grand Re-opening of the Theatre Royal from 1951. Around it are items from the character Mrs Brown's outfit. The display sets the scene for the rest of the dressing room and helps to illustrate what a posh event the re-opening was to the people of Stoke. I especially enjoyed putting these items together as the final outcome looks so good! (There will be a pair of opera glasses attached to this plinth so that you can zoom in on some of the smaller pieces on top of the dressing table!)
Stoke on Trent Museums What's on guide for February - March 2011
It took months of sourcing for the museum and visits and research for me to get to the day of set up. I've really enjoyed the project; It's allowed me to gain more knowledge about one of my favourite eras. I've learnt about social aspects, fashion, entertaiment and the local history of Stoke in the post war period!
But it doesn't end here! Whilst the project is on display I will be posting Mrs Brown's Diary on a brand new blog: http://mrs-browns-diary.blogspot.com/ . Here you will be able to find out the secret life of Mrs Brown, find out who she is and what the items in her dressing room mean to her.
Plus over the six months the dressing room is on display I will be continuing the project by interacting with the set, photo sessions and some new paintings based around Mrs Brown's story! Make sure you come along to view it all!
The Potteries Museum and Art Gallery,
Bethesda Street, Cultural Quarter,
Stoke-on-Trent, ST1 3DW
Telephone: 01782 232323
Minicom: 01782 232515
E-mail: museums@stoke.gov.uk
Open: Monday to Saturday 10am - 5pm
Sunday 2 - 5pm
Admission: FREE.
But it doesn't end here! Whilst the project is on display I will be posting Mrs Brown's Diary on a brand new blog: http://mrs-browns-diary.blogspot.com/ . Here you will be able to find out the secret life of Mrs Brown, find out who she is and what the items in her dressing room mean to her.
Plus over the six months the dressing room is on display I will be continuing the project by interacting with the set, photo sessions and some new paintings based around Mrs Brown's story! Make sure you come along to view it all!
The Potteries Museum and Art Gallery,
Bethesda Street, Cultural Quarter,
Stoke-on-Trent, ST1 3DW
Telephone: 01782 232323
Minicom: 01782 232515
E-mail: museums@stoke.gov.uk
Open: Monday to Saturday 10am - 5pm
Sunday 2 - 5pm
Admission: FREE.
Tuesday, 1 March 2011
The lost Pleasure Palaces
I've been trying to find information and photos about The Theatre Royal in Hanley for my dressing room project. This collaborative work with Stoke Pottieries Museum and Art Gallery has been interesting for so many reasons; One of my favourite things has been finding out about the history of Stoke, a place one half of my family came from and partly still live.
I've been specifically looking up information about The Theatre Royal as the dressing room set will be focused around it's 'Grand Re-opening' which occured on 14th August 1951. The museum has an original programme from the night which is very impressive, all expensive cream card and gold embossing on it's cover. You can imagine just how exciting and important this night would have been to the people of Stoke. At a time when entertainment was so popular that it wasn't unusual for towns to have several cinemas and theatres, this grand re-opening would have been a social event not to be missed!
The term 're-opening' is important to remember. Only three years earlier a tragic fire destroyed the entire auditorium of the original theatre leaving only the perimeter walls standing. It is said that the Sadler's Wells Ballet Company who were performing there at the time lost almost the entire production; costumes, scenery, props and the whole collection of musical instruments. Whilst the flames consumed backstage the theatre manager, fearing the loss of important documents, dived into the burning building in his pyjamas and overcoat to save them!
It seems it wasn't just the manager who valued the Royal and what it held. In 1950 the people of Stoke handed a petition with over 50,000 signitures to the Minister of Works asking for permission to build a new theatre. This was post war Britian and building of any kind had to be essential to go ahead. However perhaps out of a sense of public feeling, permission was granted and, like the old legend, a new version of the theatre rose from the ashes.
It re-opened with much pomp and circumstance, the residents of Stoke donning their best outfits and evening wear to enjoy the opening ceremony performed by the The Lord Lieutenant of Staffordshire. This was followed by a rousing production of 'Annie Get Your Gun' performed by Newcastle's Operatic Society. There were also several messages of good luck from well known stars of the time including Stoke on Trent's own Gertie Gitana, a music hall entertainer and peoples favourite who was dubbed the Force's sweetheart during the first world war.
A press clipping for the night shows a group including officials and their wives and children standing next to a smiling cowgirl and cowboy holding huge bouquets. With such auspicious celebrations and so much support for the new venture it shocked and confused me to find out that by 1954 audiences had declined to such an extant that the building was sold off to Moss Empires. Perhaps the growing popularity of Television was to blame for this lack of interest?
Like many small town theatres and cinemas the Royal became a bingo hall for a number years. Evidence of simliar fates can be spotted in many locations if you look for them. In my home town for instance, the bingo hall by the bus station was once one of eight cinemas dotted about the little market town in the 1950's, but more of that later.
What I'm after now is a sense of the grandeur of the re-built Theatre Royal. The character, Mrs Brown, whose dressing room I am to construct and who 'attended' the re-opening event will have been caught up in the excitement and would have revelled in the newness of the building. But what was it like?
If you look for the Theatre Royal on the internet you will find a few outside photos of the frontage. I personally like this flyer from the museum archives which has a great sense of glamour and bustle, I imagine if they could have added huge Hollywood style floodlights pointing to the sky they would! I think this may have been before the re-opening as the building now does not have the pointed top just a flat roof, or it could be that during the theatre's varied history the facade changed as much as the place's purpose.
There is a wonderfully helpful facebook group page called 'I loved the Theatre Royal Hanley Stoke on Trent' where I have found several interior shots showing stage productions and backstage areas which have a certain amount of poignancy to them now. The best shots I've seen for giving an idea of what it was like to be a visitor to the theatre show typical tiered red plush seating, stalls and cirlces and decorated relief work around the stage.
![]() |
Photo copyright of Ian Grundy |
Photo copyright of Ian Grundy
After all this you might be wondering what happened to the Theatre Royal. Well it's fair to say it has had a turbulant history what with fires re-openings and bingo, it then lay empty for a year before theatre enthusiasts re-opened it again in 1982. But that wasn't the happy ending the theatre deserved; The building closed again after going into liquidation in 1996 and most of it's original fittings and contents were auctioned off. Then just when it seemed there couldn't be any hope for the Royal in 1997 a millionnaire businessman, Mike Lloyd, bought the theatre and began a 1.2 million refurbishment completely rewiring the venue and replacing the seats in the stalls so that they could be removed for stand up rock and pop concerts. A new crest was even placed over the stage in full glory. The theatre held yet another re-opening that year with comedian Ken Dodd doing the honours. Hooray I hear you cry! But hold on, there's more...
Just when it seemd the Theatre Royal was well and truely back, Mike Lloyds' business empire collapsed along with his ownership of the building. In 2001 the council of Stoke on Trent gave planning permission for the building to be turned into a nightclub. The circle and stage have been destroyed, the seating ripped out and the theatre now functions as a bar for 'Jumpin Jaks'. I feel this is a sorry end for a place which inspired so much hope and promise in it's first reincarnation. What would Mrs Brown think?
Gone but not forgotten:
During my research into Stoke on Trent's theatre, I couldn't help but be reminded about the rich history of cinemas and theatres around the places I live. As mentioned before these palaces still exist if you only look for them, their ghosts still haunt our towns;
This is Hulme Hippodrome in Manchester which opened in 1901, a theatre set in the square, similar in design to the Theare Royal in Hanley. It also served it's time as a bingo hall during the 60's and although this magnificent building still stands it now largely unused, lost amongst the redevelopment and new houses of the area. It is on Manchester City Council's 'At Risk' Register.
This is another Theatre Royal, this time situated in Hyde Greater Manchester. This building holds particular personal interest to me as I remember seeing films there when I was little, even then it was mostly empty, but I loved sitting in the circle looking over it's velvet padded edge and feeling the vastness of the place. There is a painting by Harry Rutherford in Hyde Library's Rutherford Gallery which shows the building in it's glory days; chorus girls dancing on the stage and lime lights twinkling. (Is it suprising this my favourite painting in the gallery?).
In 2007 I attended an open day and along with a group of other intrigued people I took a stroll around the theatre's dark empty interior, a very affecting experience for many reasons I think you'll understand. You can take a virtual tour around the building HERE.
The theatre is now listed with plans for surveys towards restoration thanks to the efforts of The Theatre Royal Onwards Team
Another theatre/cinema masquerading as something else. This Quality Save in Hyde used to be The Hippodrome. I've never seen it as anything but a supermarket but it's tell tale shape is a giveaway to a more glamorous past.
It would seem from looking at these photos that no-one appreciates the pleasure palaces of old these days, but that is where I can give this post a happy ending at last!
Last year some of you may remember I visited the Plaza in Stockport. A classic example of an entertainment palace from a bygone era, but in this instance, it is a fully working cinema and theatre, showing vintage films and a variety of plays, pantomimes and music events. It is beautiful inside down to the last detail and a real pleasure to be inside. It proves that sometimes the old styles are the best, and sometimes there's nothing we need more then a break from the modern world.
Subscribe to:
Posts (Atom)