The 1950's dressing room display at Stoke Potteries Museum and Art Gallery will be up for a further week with the deadline extended to this coming Sunday 18th Sept. So there's still time to see the goreous original vintage pieces used in my collaborative project with the museum which inspired my online serial Mrs Brown's Diary! If you like historic treasures, vintage glam, and a good story to boot this is for you!
Showing posts with label Mrs Brown. Show all posts
Showing posts with label Mrs Brown. Show all posts
Wednesday, 14 September 2011
Monday, 29 August 2011
The value of your words
Having feedback about your work is always helpful, and can be very positive. But to inspire creativity through your own efforts is a wonderful feeling!
I was absolutley thrilled when Joanna Webster was inspired by my online serial, Mrs Brown's Diary, to put pen to paper. Joanna is a poet, song writer and singer whose work has been published in countless poetry journals. I really enjoy her approachable thought provoking poetry which covers her many interests from Beatles mania to Easter egg excitment! I am particularly impressed with this work which I feel captures a whole new angle on the Mrs Brown story. For this new poem Joanna explains her reaction to Mrs Brown:
'This is my interpretation of her as if she were a real person and as if I really had discovered her diary in present day.
So I've not gone into specifics, just what I think and feel as I'm reading.
And it's quite a different style of writing to what I normally do'
So I've not gone into specifics, just what I think and feel as I'm reading.
And it's quite a different style of writing to what I normally do'
Mrs Brown’s diary
By Joanna Webster
By Joanna Webster
Mrs Brown, if only you knew
As you sat at the mirror, some years ago, thinking
Pen in hand and sending questions out into the cosmic void
Viewing your dreams as art on someone else’s wall
And wondering whether to worry that the life you lead is small
If only you knew the value of your words
If only you knew the value of your words
And how all the nothings that mean more than so many something’s
Will become the gossip point as I talk on corners with friends
Like the starry eyed keeping up with Hollywood trends
If only you knew that I’d get beautifully lost
If only you knew that I’d get beautifully lost
in finding you in the here and now
And if everlasting could be somehow
Then you’ve pioneered and as I blow away the dust
Your heart, in my hands, still beats
©2011
You can read more of Mrs Brown's Diary now! The story is currently up to Installment 19 . I am updating her blog www.mrs-browns-diary.blogspot.com every other day to coincide with the end of the dressing room display which is on show at Stoke Potteries Museum and Art Gallery until the 11th Sept.
Monday, 15 August 2011
Heads Up!
Just a little heads up that Mrs Brown's Diary is going to be updated several times a week between now and September 11th (all assuming I have no more technical difficulites). The diary is based on the collaborative art project I did with Stoke Potteries Museum and Art Gallery resulting in the 1950's dressing room on display until this date. Installment 14 is now online, and I'll continue to update through the week as her personal story progresses.
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Also, don't forget it's Dr Sketchy's this Friday at Manchester's MadLab! I'll be performing as part of my burlesque act The Chantilly Belles in this special life drawing class come burlesque night. Tickets are to be booked in advance. Find out more in the post below or by visiting Dr Sketchy's Manchester branch website.
Have a fun week and keep reading!
Wednesday, 10 August 2011
Back at last!
I've been experiencing some technical problems of late, hence not updating my blogs for a while. So Here's the latest news:
Photo by Candee Photography
The Chantilly Belles to perform at Dr Sketchy, Manchester
Friday 19th August Dr Sketchy presents 'Oh Foxy Lady'. We will be performing our routine 'Never Outfox the Fox' and also posing for some fab drawing sessions with games, music and prizes thrown into the mix. If you enjoy drawing and burlesque and want to attend a life drawing class with a difference come along and join the fun.
Dr Sketchy takes place at MadLab
36-40 Edge Street, Manchester, M4 1HN in the Norther Quarter (just opposite Common)
Tickets need to be booked in advance
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Mrs Brown's Diary
The installments 12 and 13 are now online!
This story is inspired by the 1950's dressing room which is on display at Stoke Potteries Museum and Art Gallery until 11 September. The dressing room display is the outcome of my collaboration with the museum's decorative arts department and belongs to the fictional character Mrs Brown, a young housewife from 1951 living in the town of Hanley. Taking cues from the fashions of the time, social dynamics and historic events from Stoke, her story is currently being told hrough her diary.
This week Mrs Brown finds herself the subject of a cooking drama, and finds escape from her small existance through the magazines of the time. What ideas will they put into her head?...
Read the original article that inspires Mrs Brown below. It is a wonderful snapshot into a world where careers for women were still new, and young people took a pride in their jobs and acheivements. It's also quite funny to read how the experience of clothes shopping has changed since the 1950's along with our attitudes to fashion for the larger lady. Enjoy:
'Oh no, I like the customers, especially the big ones.'
Read the original article that inspires Mrs Brown below. It is a wonderful snapshot into a world where careers for women were still new, and young people took a pride in their jobs and acheivements. It's also quite funny to read how the experience of clothes shopping has changed since the 1950's along with our attitudes to fashion for the larger lady. Enjoy:
Godfrey Winns portriat of a modern shopgirl.
She's proud of her job
She's proud of her job
Picture Post circa 1947-51
I have two new neighbours in my street. I went to supper with them last night, and took a bottle of light white wine with me to christen their new abode. I hope they will be very happy there.
Their flat is at the corner, opposite the Westminster Bank, but they are their own bank, counting out the rent, they told me, as soon as they are paid each Thursday and sharing all their household bills exactly.
The ground floor of their new home is the shop window of the women's tailors, full of lengths of cloth. But Pam and Tilly are used to shop windows, of rather a larger kind, since they both work in the suit department of one of the finest stores in the West End, Peter Robinson's at Oxford Circus.
They think they are very lucky in their bachelor flat, with its all electric kitchen, because they had been home-hunting for a long time, in fact ever since they made friends.
'It's bliss,' exclaimed Pam, as she led me up the two flights of stairs. 'We don't mind what sort of day we've had at the store, we've got this to come back to. Tilly is a wizard cook, though of course we take it in turns,' she added as we reached the sitting-room.
A moment later, Tilly, or Miss Daphne Till, to give her full name, dashed in from the kitchen to say she was about to dish up, and she did hope I liked fish. I should have been mush too tactful to say that I didn't these days, whatever my tastes, but as it happens I do, very much - especially when it is cooked so well. It almost made me want to turn vegetarian like my other hostess, Miss Pamela Guard, known as Pam to all her friends, though she answers to the cry of 'Blondie', from any of her dozen departmental companians.
'They call me anything, but I don't mind' exclaimed this twenty-year old career girl, who has already crowded a great deal of experience into her pursuit of independance.
As a small girl in the war, she was evactuated to Devonshire, where she had a heavenly childhood, living in a village, messing about with boats, never going near a town of any sort. Her passion, then and now, is dogs, and at the moment she has two, both boarded out with friends, a boxer and a golden spaniel, but she is hoping one day to be able to make a home for them, too, just as she is hoping to prosper in her career.
'I am determined to make something of my life, on my own' Pam keeps on repeating, like a battle cry. I don't think she has done so badly already. In fact I admire very much her passionate ambition to become as expert a saleswoman as her mother, who is in the same store.
Probably the best ambassadors of all for our country during this Festival Summer will be the countless unknown girls who will serve foreigners from abroad with all sorts of goods marked 'Made in Britain'.
Moreover, there are big prospects and good openings for keen, intelligent girls in our retail stores, as Miss Ryder would tell you.
I must explain that Miss Ryder, who is one of the most charming women I have met in a long time, is in charge of personnel at Peter Robinson's. And she amused me very much describing what so often happens when a girl, about to leave school, comes for an interview with her mother. 'Somethimes the mother talks so much I have to lean forward and interrupt gently, "Am I wrong, it is your daughter isn't it, who wants to come to us?"'
Actually, my portrait subject this week entirely made up her own mind after trying something else out first.
Pam Guard spent two years serving her apprenticeship in a West End hairdresser's. But at the back of her mind was a longing to get out among the customers and use her own initiative.
Her mother warned her that it would mean clocking in before nine each morning, a working day till half past five with only an hour's break for lunch, and Saturday morning often the busiest time of the whole week.
But Pam was undaunted. And is still undaunted even now when she confesses that she keeps two pairs of shoes at the store, and changes after lunch, to give her feet a better chance. 'And I do wear them out quickly' she exclaims. 'All the same, Tilly and I do think it's worth it, if only because two days are never exactly alike. You never get that feeling of being stuck.'
'And what about the customer?' I asked, 'you are not disillusioned yet?'
'You men the ones who spend a lot?'
'No, I mean the ones who take big sizes. They are always so grateful when you can fix them up with something that really fits them and makes them look slimmer, too.'
'Can you always tell at once if a customer is really serious?'
The two career girls looked at eachother and nodded in unison. 'The ones I always dread,' Tilly confessed, 'are those who have brought a woman friend along with them for a second opinion. Somehow you always feel from the start that it's not going to be possible to please them both at the same momnet.'
'The only one who can cope with them' Pam broke in, ' is Miss Solomon. She always says that if you can once get the jacket of a suit on a customers back, then the battle is almost over.'
I had already met Miss Solomon when I visited Pam's department for it was whispered in my ear that sometimes she earms, with commission, as much as fourteen pounds a week. And the buyers oftem have salaries of thousands a year, yet thay all started exaclty the same way as Pam and Tilly have done.
When I asked Miss Wilson, Pam's immediate boss, who is happily married in private life, and therefore has two successful careers, what the secret was, she said, 'There is no secret. It's personality plus concentration, plus a real liking for people. I don't look upon this as work,' she added, 'it's too exciting for that.'
And I think Pam feels the same, yes, even when she is dashing down our street to catch a Number 25B bus at Victoria every morning at twenty past eight. But in her heart she has pride in the knowledge that she belongs now to that army of her countrywomen, who in peace and war, do so much to keep up our credit in the eyes of the rest of the world that will be especially turned toward us this Summer.
Good luck, pam and Tilly. It's nice having you as neighbours...
Wednesday, 6 July 2011
New posts in Mrs Brown's Diary
Installments 7-10 are now available to read on Mrs Brown's Diary.
Here is an opportunity to learn something Mrs Brown's past love life. She might be leading the average life of a 1950's housewife, but is she really that that hard done by and just what is going on in her head?
This is the perfect way to find out about some of the items displayed in her dressing room at Stoke Potteries Museum and Art Gallery and see how they fit into her life, what they mean to her and how she got to be in possession of them.
Tuesday, 31 May 2011
Bits and Pieces
A couple of things to tell you this week!
Firstly, there is now a new mailing list feature on my website which allows you to subscribe to my new newsletter to find out all the latest about exhibitions, art events and more!
Just go to my website and click on 'Mailing List' then click on the link to bring up the subscription form like the one you can see above. My first newsletter covers my year so far and includes upcoming events, so you can be bang upto date! (updates to be posted on this blog soon!)
Other news:
The sixth installment of Mrs Brown's Diary is now online! A blast from the past has caused Mrs Brown's world to turn upside down, however momentary could this encounter have lasting repercussuions? Find out by reading Mrs Brown's Diary, the accompanying story behind and inspired by the vintage dressing room currently on display at Stoke Potteries Museum and Art Gallery!
Monday, 16 May 2011
Mrs Brown's Diary, the shoot
One of my favourite things ever is making up stories, packaging little moments in time and filling them with characters, happenings and elements of playfulness. I think that's one of things I try to get across in my paintings. They are each snapshots of worlds that maybe existed for real, or maybe just in my head, or maybe a bit of both. When I took Layla to Stoke to model for me as Mrs Brown, the moment she stepped into the dressing room set, a story was taking place before my eyes.
For me it was a lovely moment to behold, like seeing the sun rise at just the right angle through the pillars of Stone Henge or finally getting the shot of a bird you'd been waiting hours to catch a glimpse of. When Layla, in full 1950's regalia, sat in front of the dressing table in the set I had spent months putting together with the Potteries Museum and Art Gallery, I felt very, what's the word?... satisfied. Not to mention excited. Here at last was Mrs Brown in her dressing room, interacting with her belongings, acting out her story, making it just that little bit more real!
The whole point of the shoot which took place last Monday, was to continue the theme of telling stories through belongings and objects. Mrs Brown's story has been entirely inspired by the objects I selected from the decorative arts collection during my collaborative project with the museum. Each object has been displayed as part of Mrs Brown's dressing room as an illustration of her life, a snapshot, a moment in time packaged and ready for consumption.
I wanted to photograph the objects with the woman who supposedly owns them to give them even more meaning, and even though my model was very important, it was still the objects themselves which dictated the shots and led the images to tell the story.
It was a small space and very dark in order to preserve the items displayed, so it took some getting used to before both I and Layla managed to ease into the shoot, but I was really happy with the images we got. By keeping Mrs Brown's identity quite anonymous her belongings take over in letting the viewer decide what's happening. The photos will be displayed over the coming months on; www.mrs-browns-diary.blogspot.com and I'll continue announcing when each new installment is posted, head over there now for installments 3, 4 and 5!
Make over heaven
I couldn't help feeling pleased as I watched Mrs Brown walk through the museum in her elegant purple floral dress. Teetering on T bar heels, her powdered face broke into a smile as she took in the exhibits, showcasing her red lips and fluttering lashes. It was like meeting a pen friend I'd never seen before but finding she fit my imaginary picture of her perfectly.
It was Monday and I was in Stoke to photograph the dressing room set from my collaborative project with the Potteries Museum and Art Gallery, but on this visit I had brought my friend Layla with me to model as the mysterious Mrs Brown, the flighty bored young housewife of 1951, a woman whose pursuit of happiness could land her in hot water.
The previous day I had met with Layla to set her hair into pin curls, a very popular style from the forties which had continued to evolve into the fifties creating a new generation of waves and curls seen on the likes of Grace Kelly and Elizabeth Taylor. After watching a wonderful video tutorial by Vividmakeup found on youtube (see last post) I had also found evidence in a contemporary article detailing the techniques of how to set your hair fashionably. What struck me most was the effort that went into the preparation for a style that was worn by most women whether they were film stars or just going to the shops and doing the housework. This was serious high standard hair.
Here's how I set Layla's hair:
Firstly I dampend it with water and added a little setting lotion. After combing it through I took a one inch section and coiled it away from the face around two of my fingers, making sure not to twist it. When I had coiled as far as I could get, I pinched the coil off and secured it flat to Layla's head using FLAT hair pins to create a cross.
Here's how it looked as I was working my way around the head. I left the front section loose as this required a different type of curl. Once I had worked my way all around the hair it looked like this;
The crown was left flat so the curls would sit in an authentic style of the early 50's and the front fringe section was curled under and secured in an elevated curl, not flat to the head but sitting proud of the face. The curls were left to set over night with a scarf tied around them for protection. When we got to the museum the next day they were still in place if not a little fuzzy;
We used a dressing room which Princess Anne had used when she came to visit the museum a few years ago. It was in this room I finished the hair styling and applied Laylas' make up. I went of a classic 1950's look, very matte and powdered; soft brown eye shadow all over the lid with a darker brown in the socket.
I lined the upper lid with black liquid liner and added some flirty tipped lashes for a glamorous effect and drew the eyebrows in with a pointed arch. The whole thing was of course finished off with obligatory red lipstick! I went for a pointed look lining the lips first to get the peaks as defined as possible.
Next it was time to finish styling the hair. I unpinned all the curls and brushed them through with my fingers to seperate and loosen them. As you can see from the photo, the pin curls really did their job creating large sausage curls positioned perfectly around the crown.
To create fifties waves I took a barrel brush and began to brush the curls under. Unlike normal curls which should never be messed with, pin curls are designed to be manipulated. They are also very resilient and snapped into place as I brushed them. I used my palms to sculpt the hair as I brushed it under and round, I then pinned the hair back behind the ears for a very feminine style. Lastly I brushed the fringe, whisking it up and back to create a 50's flick that blended in with the rolls of sculpted hair around the sides of the face. At last Mrs Brown was ready for her photo shoot.
The makeover was lots of fun and it was important to get it right as creating an authentic look was just as important as the shoot itself. As Layla stepped into the dressing room set I felt really pleased because she looked like she belonged there. Layla enjoyed working amongst all the vintage items, being a bit of kleptomaniac of vintage items herself, and it was so satisfying to have the right person for the job who understood the brief and looked so perfect for the story. Find out how the shoot went in my next post!...
Wednesday, 4 May 2011
Dressing Mrs Brown
I am all a fluster getting plans readied and ideas organised as I am doing a 1951 makeover on a friend of mine who has kindly agreed to model as Mrs Brown for me next Monday!
We are travelling to Stoke to photograph 'Mrs Brown' interacting with the many objects within her dressing room in order to give them new and deeper meaning. My good friend Layla who has modelled for me before as the kitzch receptionist 'Miss How Can I Help You', was the perfect choice as she fits the physical requirements I had in my head of Mrs Brown's size and colouring. Plus as an artist herself she can understand what I am attempting to get from the shoot.
Miss How Can I Help You, acrylic on canvas 2006
The story being unravelled in Mrs Brown's Diary is all based around the many objects found in Stoke's Potteries Museum and Art Gallery's decorative arts collection which were then built into a 1950's dressing room. It was always my aim to tell a story though belongings and with the photographs I hope to emphasise this further by bringing Mrs Brown into the picture but keeping the objects as the main focus. She will almost be an accessory as the objects take the lead and represent different moments of importnace to her
I'm really excited about the makeover as all things cosmetic and hair give me a buzz! I've found an amazing tutuorial for early 50's pin curls, here's the second part showing how to style your curls into a perfect housewife do:
This girl really knows her stuff and after watching the whole tutorial I feel I learnt a lot. To my absolute joy I found the exact same method for pin curls being detailed in a Vogue article from the late forties (Thanks Layla for bringing in your brilliant Vogue book!).
After discussing Mrs Brown's personality and the era with Layla she managed to pull together an outfit that even though not original period clothes, will still look fantastic for the shoot as you can see above. We were looking for something fashion forward for the early 50's. Something with a hint of the full skirt Dior New Look, but also functional enough for a middle class housewife with pretentions to grandeur. With glamourous cosmetics and period hair this outfit will be perfect for the young and flighty Mrs Brown. I will document the entire process, find out how the makeover and shoot go next week!
Monday, 11 April 2011
Online now!
The second installment of Mrs Brown's Diary is now online! The diary tells the story of Mrs Brown a young vivacious housewife from 1951. It is inspired by the objects I found in the decorative arts collection at Stoke Potteries Museum and Art Gallery which are now on display as part of Mrs Brown's dressing room. You can see the display and read the hidden story behind it now! The project runs until the 18th September.
I was recently interviewed for the online arts magazine Design Splat, you can read my interview to find out about me and my practice HERE.
Friday, 25 March 2011
It's all going on!
The first installment of Mrs Brown's Diary is now online! This unfolding story reveals the significance of the items that make up the 1950's dressing room which has been created through my collabortive project with Stoke Pottieres Musuem and Art Galley. The diary is your chance to find out who this character is; the first post covers her visit to the Grand Re-opening of the Theatre Royal in Hanley and introduces her relationship with George her husband, but just why is he so upset?
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Last Saturday was the official first day of dressing room display and to mark the occassion a local burlesque performer called Lottie Applejack dressed in period costumes did a piece in the dressing room based around transformation which ties in well with my theme of artifice and the project's title, Making faces.
Photo by Craig Berry
My project has also inspired other creative outlets! Members of City Voices writers group based in Hanley were invited by the museum to produce their own responses to the items from the Making Faces display and also other museum pieces from the same period picked out by myself. The result was a very ecelctic mixture of poetry and short stories. Here's two of my favourites which have really captured the essence of the objects and the era :
Rationed Reflections
Getting ready for a night of theatre,
A film, a dance, a romance.
Take night off from the week
For the war is still fresh in memory
In all young and old
And rationing still carried
But you do your best.
Improvement and alter the gown dress,
With ideas of the society magazines.
Pictures and varied types and varied tips,
From halls of Paris’s fashion houses,
To stars of West End and Hollywood.
A break from that time before,
And now a modern twist,
With compacts of small design,
Fit neatly into the purse,
Nylons from across the Atlantic,
Hard to find at this time.
Picture of the returning sweetheart,
Returned from the continent,
From aiding in Europe.
Soon the alarm will chime,
And it will be theatre time.
Martin Wilkes
A Rare Night Out
She sat before the mirror
Everything was to hand.
Powder puff and perfume
They made her feel so grand.
Her husband had bought tickets
For the Theatre Royal show.
Just a dab of lipstick,
Now she was ready to go.
“The taxi’s here, my darling”
Her husband called to say.
She hurried down to join him
Then they were on their way.
She wore the pearls he’d bought her.
Snd her high heels too.
She felt like a lady
Attending a posh ‘do’.
They didn’t have much money
So treats like these were rare
But oh, how good they made her feel –
Like dancing on air.
P.A. Sinclair © 2011
Friday, 18 March 2011
Set up day!
Yesterday was set up day at the Potteries Museum and Art Gallery in Stoke! After months of preparation and research, the collaborative project between myself and the museum has been put on display!
The final display has turned out to be extremely beautiful, thanks to the variety of original vintage pieces found in the museum's archives. It felt really satifying to see them all together for the first time and place them in the display, knowing that not only do they all have part to play in constucting my projects character they are also going to be viewed by the public after spending years in storage.
Each item had to be handled carefully (hence the fetching purple latex gloves). It took a bit of trial and error before everything looked right, but I had a rough idea where I wanted everything to be, plus not everything that had been chosen got used in the end. The space could only hold so many items and also I didn't want to clutter the display and compromise the hidden story with too many objects.
Some items had been specially selected to be displayed seperately to focus on specific themes. This plinth for instance holds the original programme from the Grand Re-opening of the Theatre Royal from 1951. Around it are items from the character Mrs Brown's outfit. The display sets the scene for the rest of the dressing room and helps to illustrate what a posh event the re-opening was to the people of Stoke. I especially enjoyed putting these items together as the final outcome looks so good! (There will be a pair of opera glasses attached to this plinth so that you can zoom in on some of the smaller pieces on top of the dressing table!)
Each item had to be handled carefully (hence the fetching purple latex gloves). It took a bit of trial and error before everything looked right, but I had a rough idea where I wanted everything to be, plus not everything that had been chosen got used in the end. The space could only hold so many items and also I didn't want to clutter the display and compromise the hidden story with too many objects.
Some items had been specially selected to be displayed seperately to focus on specific themes. This plinth for instance holds the original programme from the Grand Re-opening of the Theatre Royal from 1951. Around it are items from the character Mrs Brown's outfit. The display sets the scene for the rest of the dressing room and helps to illustrate what a posh event the re-opening was to the people of Stoke. I especially enjoyed putting these items together as the final outcome looks so good! (There will be a pair of opera glasses attached to this plinth so that you can zoom in on some of the smaller pieces on top of the dressing table!)
Stoke on Trent Museums What's on guide for February - March 2011
It took months of sourcing for the museum and visits and research for me to get to the day of set up. I've really enjoyed the project; It's allowed me to gain more knowledge about one of my favourite eras. I've learnt about social aspects, fashion, entertaiment and the local history of Stoke in the post war period!
But it doesn't end here! Whilst the project is on display I will be posting Mrs Brown's Diary on a brand new blog: http://mrs-browns-diary.blogspot.com/ . Here you will be able to find out the secret life of Mrs Brown, find out who she is and what the items in her dressing room mean to her.
Plus over the six months the dressing room is on display I will be continuing the project by interacting with the set, photo sessions and some new paintings based around Mrs Brown's story! Make sure you come along to view it all!
The Potteries Museum and Art Gallery,
Bethesda Street, Cultural Quarter,
Stoke-on-Trent, ST1 3DW
Telephone: 01782 232323
Minicom: 01782 232515
E-mail: museums@stoke.gov.uk
Open: Monday to Saturday 10am - 5pm
Sunday 2 - 5pm
Admission: FREE.
But it doesn't end here! Whilst the project is on display I will be posting Mrs Brown's Diary on a brand new blog: http://mrs-browns-diary.blogspot.com/ . Here you will be able to find out the secret life of Mrs Brown, find out who she is and what the items in her dressing room mean to her.
Plus over the six months the dressing room is on display I will be continuing the project by interacting with the set, photo sessions and some new paintings based around Mrs Brown's story! Make sure you come along to view it all!
The Potteries Museum and Art Gallery,
Bethesda Street, Cultural Quarter,
Stoke-on-Trent, ST1 3DW
Telephone: 01782 232323
Minicom: 01782 232515
E-mail: museums@stoke.gov.uk
Open: Monday to Saturday 10am - 5pm
Sunday 2 - 5pm
Admission: FREE.
Friday, 18 February 2011
Dressing room update!
The chosen dress
I haven't written anything yet about my collaborative project with Stoke Potteries Museum and Art Gallery this year! So I thought I better update you and tell you how things are progressing;
My last visit to the museum was in December where we were putting together the outfit to be displayed in Mrs Brown's dressing room set. If you remember, Mrs Brown is the character inspired by our many finds in the museum's decorative arts collection. A woman of the early 1950's (late 1940's overlap) with a penchant for movies, fashion and fun, a young vivacious dreamer married to an older staid gentleman. A woman with a normal life to outward appearances but with dreams and secrets upon closer inspection of her belongings.
The intention of this project is to illustrate a story using belongings whilst celebrating femininity and artifice at the same time. The artifice of the dressing table and the artifice of the public persona.
After happily trawlling through boxes of beautiful vintage gowns and underwear (some of it not so beautiful, see The Beast, a rubber girdle, for example) and deliberating over shoes and accessories, myself and Laura, the museum's Documentation Assisitant, have whittled down an outfit fit to grace the girlsih dramatic ideals of Mrs Brown.
The dress which has been chosen came out top after much deliberation; firstly I wanted something 'young' and glamorous yet quite formal and dressy as the set revolves around an invite to Hanley's Grand Re-opening of the Theatre Royal
I had three dresses in mind and had to choose what would suit the character and situation best. One dress was too large in size to fit the idea of the flighty naive Mrs Brown, and the other although bright and eye catching didn't have the umph factor for an exclusive evening in town!
Too large, although you can't tell it from the photo this dress is a size 16
I initially bypassed the (now) chosen frock as I thought it might be too dressy for a young middle class woman living in Stoke in 1951. However it seems the dress's true history helped me to make my mind up as it was bought in a sale at Marshall & Snellgrove. This made it seem much more believable as an option as this was exclusive store with the new sensation of ready to wear lines. Plus I was sent this wonderful press cutting about the Grand Re-opening, and as you can see everyone was dressed up to the nines!
The next decision was accesories, Laura sent me some fabulous items to choose from and in the end I've chosen these shoes from the early 1950's:
And a glamorous fur stole and classy jewellery which wouldn't look out of place on a film star, so would certainly appeal to a film fanatic like Mrs Brown. The evening bag is yet to be decided. It's been tough trying to find one in the collection which will complement the rest of the ensemble, I'll keep you posted:
These items will be arranged around the dressing room to illustrate Mrs Brown's return from the big night, her stole and shoes discarded and her gown hung up once again. Of course a lady would have to have some foundation to these garments and her underwear and stockings will also take a place in the set. So far I have chosen these unmentionables to make an appearance:
The suspender belt from this photo accompanied by a peach strapless bustier
Something else was brought to my attention whilst sorting out ideas for the set and display cases. It seems the dress which will be used has had it's pink fins added after purchase as tiny hand stitches can be seen holding them in place. This fits wonderfully well with the notion of the make do and mend generation of the time, but also illustrates another point; Mrs Brown is a keen follower of fashion, eager to emmulate her favourite actress or singer in the glamour stakes and as mentioned before in this blog could have easily been one of the many women who used dress patterns to spruce up her wardrobe.
It was decided that to convey this idea one of the small display cases next to the dressing room set will contain sewing materials. Laura found this adorable etui from the correct era in the museum's collection along with this fabulous Balmans pattern 'Designed in Paris'. Paris being the epicentre of cutting edge fashion and of especial interest to Mrs Brown this pattern is spot on, also I think the shape is not a million miles away from our chosed dress, what a find!
As things begin to draw towards the date of completion I am busy pulling all the information togehter about the items we've discovered, the magazines of the time and the various references to the local area and popular culture of the era so that Mrs Brown's hidden story will be ready for discovery!
During the exhibition of the dressing room set 'Mrs Brown's Diary' will be published online in a brand new blog to accompany the project. This will be a first person account into her daily life focused around the 14th August 1951, the night of the Grand Re-opening! Here you will find out where her love of films and fashion stems from, why she married her husband, and who the mysterious man in the photo hidden in her handbag is... Not to mention various peeks into her private thoughts and passions which will be hinted at through the items displayed in her dressing room.
It was decided that to convey this idea one of the small display cases next to the dressing room set will contain sewing materials. Laura found this adorable etui from the correct era in the museum's collection along with this fabulous Balmans pattern 'Designed in Paris'. Paris being the epicentre of cutting edge fashion and of especial interest to Mrs Brown this pattern is spot on, also I think the shape is not a million miles away from our chosed dress, what a find!
As things begin to draw towards the date of completion I am busy pulling all the information togehter about the items we've discovered, the magazines of the time and the various references to the local area and popular culture of the era so that Mrs Brown's hidden story will be ready for discovery!
During the exhibition of the dressing room set 'Mrs Brown's Diary' will be published online in a brand new blog to accompany the project. This will be a first person account into her daily life focused around the 14th August 1951, the night of the Grand Re-opening! Here you will find out where her love of films and fashion stems from, why she married her husband, and who the mysterious man in the photo hidden in her handbag is... Not to mention various peeks into her private thoughts and passions which will be hinted at through the items displayed in her dressing room.
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